April 22, 2020
I have decided to take the time and add some posts to a sadly neglected blog. For those new friends, I primarily post about textiles and quilts.
The Malaspina Arts Society hosts a monthly art display at the Vancouver Island University campus in Powell River, BC. There was some empty space between exhibits , so I suggested that we fill the space with something colourful for the rest of February, which can be a rather dreary month here on the West Coast.
As it turned out , The quilt display stayed up much longer than we planned. The Covid-19 closure of the campus has postponed all exhibits for a while , and I just went today to pick up all the pieces that I had hung.
This was not the first textile exhibit that I’ve help hang in the VIU foyer. But this time, I chose the wilder colours, the happier ,whimsical pieces and thought that I would choose to show the possibilities of using scraps to make art pieces as well as traditional quilt patterns. These quilts span a long period of about 15 years.
The quilt below was part of my string series, exploring this simple scrap method with irregular string pieces.
This is one of my favorites and inspired by the work of a Japanese quilter, Keiko Goke. The last red irregular border is faced instead of using binding. one of the first times I challenged myself to try different construction methods. Part of the String Series.
This was part of a personal challenge. I chose to portray the alphabet or interesting words in a series of 26 quilts. This was U is for U-Turn and I was able to use a few scrap pieces of kid’s prints with cars.
More strings! I love strong contrast in the colour wheel, so chose orange and blue bins of scraps for the quilt on the right.
The next photo shows a string quilt on the right with a very irregular border to solve the problem of using the last pieces of white and black strips. I had a lot of fun playing around , adding lots of polka dots and some stripes.
The small quilt on the left was exploring with some ideas based on Yvonne Porcella’s techniques
This is a very traditional pineapple pattern. I was experimenting with 2 different brands of plexiglas rulers, preparing to present a demonstration at the guild. It was nice when both brands of rulers produces blocks that ended the exact same size and could be combined in this lap quilt.
Another tessellating shape is this oddly sliced square. It has a lot of interesting ways to set the block to give many different looks. And I enjoyed useing lots of left over orange bits. This was a hit with some homeschoolers who came for a tour. It was interesting to hear their questions and see the exhibit through their eyes.
This wall of quilts was a series with a few different goals , but all had to be a long skinny rectangle. I was hoping to see what that restriction would do to my creativity.
The red and cream quilt on the right was inspired by Sue Benner, but instead of using her surface design technique, I chose to do large boro stitching. The blue and lavender circles used lots of scrap pieces of madras cotton- remember that fabric? And the boro stitching seemed to fit with the soft loosely woven fabrics. Not the usual firm weave of common quilter’s cottons. Both used contemplative stitches.
The left hand quilt above was a guild challenge. We were able to choose a plain brown bag at random , which turned out to contain a Tarot Card. The one I chose was the Hangman. As I knew next to nothing at that time about Tarot, I had to do a lot of online searching and many months of pondering. If you know anything about that card, it was downright spooky how well it fit with my Fall, Winter and Spring. And I learned a great deal about solving problems , like the intertwining loosely connected bias strips, the double layers of quilts hung together and the squares cut into the top quilt and finished with facings.
This blue and aqua quilt ( second from left ) went together very quickly as I love the improv method of constructing blocks , and trimming them to all fit together.
The three quartered circles was the start of another love of circles and a series. I enjoyed the boro hand stitching.
The last quilt on this wall was one more experiment in curved free hand cutting. It surprises students that they don’t need to sew on the bias and they can have a flat quilt in the end without ripples and puckers. Yes , you’re right, the borders are intentionally NOT straight.
This blue quilt uses a lot of raw edge applique and free motion quilting. I had started a guild challenge and the ideas just kept bouncing around , so this was the 3rd that grew from the same surprise package of fabric.
My Earth series is still in process. Yes, and today is earth day as I make this blog post. This small wall hanging was based on the chocolate brown Fat Quarter of fabric. I wasn’t too keen on the fabric , but if you’re given lemons, then make lemonade. One of the reasons that I like guild challenges is that it gives you time to break some rules or come up with solutions.
This piece is “Erosion” and I follow Bonnie Hunter’s rule. If you don’t like the fabric, then you haven’t cut it up small enough and added enough of other fabrics to distract you. It’s free random rotary cutting, adding other slices and then veins of turquoise and gold twists of yarn with small chunks of turquoise or sea shells with beading.
The last piece is a partner to a portion of the alphabet series, but these scraps of colour were hanging out on the edge of the cutting table and since I was thinking of geology, this became “Strata”.
Thanks for stopping by. I am going to next organize my photos for a series of 58 quilt tops that I made in 2018, all based on some rules that I set myself and 34 boxes of scraps.